Tim Etchells’ practice is concerned with tropes of performativity, liveness and presence. Binaries of exposure and concealment, construction and deconstruction, appearance and disappearance are explored through a framework of LCD monitors, computer screens, the stage, the space of a page, a gallery, a found site, a street, or some private space. Etchells’ interventions in these spaces and moments explore the dynamic relationship between the viewer and work in a context where systems in language and culture are interrogated for their productive or constraining effects. Many works produce a kind of non-linearity, an autonomous assembly and deconstruction of encounters and processes.
Tim Etchells (b. 1962, Sheffield, UK) lives and works between London and Sheffield. He has produced major commissions for public space internationally; his poster project ‘And For The Rest’ has been created and presented in: Brussels (2014), Basel (2015), and Athens (2016); he created ‘Vacuum Days (Utrecht)’ presented across the city (May 2016); and his video installation ’Eyes Looking’ took over Times Square, New York, was commissioned as part of Times Square Arts Alliance ‘Midnight Moments’ series (2016).
Solo exhibitions include: ‘Together Apart’, Kunstverein Braunschweig, DE (2017); ‘Open Mind’, VITRINE, Basel, CH (2017); ‘The Give & Take’, Tate Exchange, TATE Modern, London (2016); ‘More Noise’, Bloomberg SPACE (2016); ‘For Now’, Plymouth Arts Centre, UK (2015); ‘What is, and What is Possible’, Jakopič Gallery, Ljubljana, SI, (2013); ‘Neon Friday’, Battersea Arts Centre (BAC), London, UK (2012); ‘From Afar’, Bunkier Sztuki, Krakow, PL, (2011); ‘Tim Etchells’, Gasworks, London, UK, (2010); and ‘Fog Game’, Künstlerhaus Bremen, Bramen, DE, (2010).
He had a solo booth with VITRINE at Dallas Art Fair (2016) and in Perf4m at ARTISSIMA Turin, Italy (2016). His collaboration with violinist Aisha Orazbayeva ‘Seeping Through (Decouverte)’ was performed at FIAC, Palais De Decouverte, Paris (2016).
Etchells work was included in the Folkestone Triennial, Folkestone, UK, (2014); Gotenburg International Biennale, Sweden, (2011); and Manifesta 7, Rovereto, Italy, (2008). His work has been presented in group exhibitions and performance programmes at galleries and museums internationally, including: Kunsthalle Mainz, Germany (2017); The Showroom, London, UK (2017); The Grundy, Blackpool, UK (2016); Turner Contemporary, Margate, UK (2015); Compton Verney, Warwickshire, UK (2015); Cubitt Gallery, London, UK (2015); Hayward Gallery, London, UK (2014); Arnolfini, Bristol, UK (2013); Württembergischer, Kunstverein Stuttgart, Germany, (2012); and Norwich Castle Museum and Art Gallery, Norwich, UK, (2011).
Etchells has concurrently led the performance group Forced Entertainment, based in Sheffield since its inception in 1984. Forced Entertainment are widely considered to be one of the greatest British theatrical exports of the past 30 years, credited with producing some of the most innovative and challenging theatre of the era to great acclaim throughout the world. In 2016, Etchells was awarded the Spalding Grey Award well as the International Ibsen Award for his work with Forced Entertainment.
Etchells is currently presented in the international group exhibition ‘Stadtansichten’ (‘Cityscapes’) at Heidelberger Kunstverein, DE (May 2018), in group exhibition ‘Transcript’ at Charlie Smith London (May-June 2018), and has been selected for Frieze Sculpture 2018, Regents Park, London (July-October 2018).