Tim Etchells’ practice is concerned with tropes of performativity, liveness and presence. Binaries of exposure and concealment, construction and deconstruction, appearance and disappearance are explored through a framework of LCD monitors, computer screens, the stage, the space of a page, a gallery, a found site, a street, or some private space. Etchells’ interventions in these spaces and moments explore the dynamic relationship between the viewer and work in a context where systems in language and culture are interrogated for their productive or constraining effects. Many works produce a kind of non-linearity, an autonomous assembly and deconstruction of encounters and processes.
Tim Etchells (b. 1962, Sheffield, UK) lives and works between London and Sheffield.
Solo exhibitions include: ‘Open Mind’, VITRINE, Basel, CH (2017); ‘Together Apart’, Kunstverein Braunschweig, DE (2017); ‘The Give & Take’, Tate Exchange, TATE Modern, London (2016); ‘More Noise’, Bloomberg SPACE (2016); ‘For Now’, Plymouth Arts Centre, UK (2015); ‘The Facts On The Ground’, VITRINE, London, UK (2015); ‘Live Forever’, Jenkins Johnson Gallery, New York, USA (2014); ‘What is, and What is Possible’, Jakopič Gallery, Ljubljana, SI, (2013); ‘Neon Friday’, Battersea Arts Centre (BAC), London, UK (2012); ‘From Afar’, Bunkier Sztuki, Krakow, PL, (2011); ‘Tim Etchells’, Gasworks, London, UK, (2010); and ‘Fog Game’, Künstlerhaus Bremen, Bramen, DE, (2010).
Etchells work was included in the Folkestone Triennial, Folkestone, UK, (2014); Gotenburg International Biennale, Sweden, (2011); and Manifesta 7, Rovereto, Italy, (2008). His work has been presented in group exhibitions and performance programmes at galleries and museums internationally, including: The Showroom, London (2017); The Grundy, Blackpool, UK (2016); Kunstverein Braunschweig, Germany (2016); Turner Contemporary, Margate, UK (2015); Compton Verney, Warwickshire, UK (2015); Cubitt Gallery, London, UK (2015); Hayward Gallery, London, UK (2014); Arnolfini, Bristol, UK (2013); Württembergischer, Kunstverein Stuttgart, DE, (2012); and Norwich Castle Museum and Art Gallery, Norwich, UK, (2011).
He has produced major commissions for public space internationally; his poster project ‘And For The Rest’ has been created and presented in: Brussels (2014), Basel (2015), and Athens (2016); and he created a new series of posters ‘Vacuum Days (Utrecht)’ presented across the city (May 2016). and his video installation ’Eyes Looking’ took over Times Square, New York, commissioned as part of Times Square Arts Alliance ‘Midnight Moments’ series (2016).
Etchells has concurrently led the performance group Forced Entertainment, based in Sheffield since its inception in 1984. Forced Entertainment are widely considered to be one of the greatest British theatrical exports of the past 30 years, credited with producing some of the most innovative and challenging theatre of the era to great acclaim throughout the world. In 2016, Etchells was awarded the Spalding Grey Award well as the International Ibsen Award for his work with Forced Entertainment.
Etchells is currently in the group exhibition ‘To See or Not to be’ at Kunsthalle Mainz, Germany (September 2017) and his work Red Sky at Night is included in the forthcoming group exhibition ‘Documents, Alternatives’ at Airspace Projects, Stroke-on-Trent, UK (November 2017).