Roman-fleuve

Charlie Godet Thomas
23
September
,
2017
03
December
,
2017
VITRINE, Basel

Charlie Godet Thomas’ first solo exhibition in Switzerland and his second with the gallery, explores visual poetry, the bridge between language and signage, and the connections between the autobiographical, the tragic and the humorous. In ‘Roman–fleuve’, Thomas continues to focus on the written and the importance of positive and negative space in poetry, drawing influence from a range of sources such as the constrained writing techniques of the Ouvroir de Littérature Potentielle and the written works of Édouard Levé.

Charlie Godet Thomas, Your Shadow at Evening Rising to Meet you, 2017. Cast rubber, perimeter from a cropped photographic print, paint (peach), wood and hanging bracket. 26 x 31 x 1 cm. Photographer: Nici Jost.
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Charlie Godet Thomas, Speak not Loud or Long, 2017. Cast rubber, perimeter from a cropped photographic print, paint (white), wood and hanging bracket. 28 x 32 x 1 cm. Photographer: Nici Jost.
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Charlie Godet Thomas, Overleaf, 2017. Cast rubber, perimeter from a cropped photographic print, paint (white), wood and hanging bracket. 31 x 26 x 1 cm. Photographer: Nici Jost.
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Charlie Godet Thomas, Your Shadow at Morning Striding Behind you, 2017. Cast rubber, perimeter from a cropped photographic print, paint (yellow), wood and hanging bracket. 26.7 x 31.4 x 1.7 cm. Photographer: Nici Jost.
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Charlie Godet Thomas, A Sudden Frost Disturbed 2017. Cast rubber, perimeter from a cropped photographic print, paint (white), wood and hanging bracket. 27 x 32 x 1 cm. Photographer: Nici Jost.
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Charlie Godet Thomas, Lines Written for and by No. 4, 2017. Digital photographic prints on Hahnemühle photo rag. Frame. 92 x 64 x 3 cm. Edition of 3 (1 AP). Photographer: Nici Jost.
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Charlie Godet Thomas, Lines Written for and by No. 4, 2017. Digital photographic prints on Hahnemühle photo rag. Frame. 92 x 64 x 3.5 cm. Edition of 3 (1 AP). Photographer: Nici Jost.
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Charlie Godet Thomas, Virtues in Disarray, 2013-2017. Nine lemons, cast rubber, pigment and lemon oil. Photographer: Nici Jost.
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Charlie Godet Thomas, Virtues in Disarray, 2013-2017. Nine lemons, cast rubber, pigment and lemon oil. Photographer: Nici Jost.
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Charlie Godet Thomas, OH / MOTHER, 2017. Cast concrete. Dimensions variable. Photographer: Nici Jost.
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Charlie Godet Thomas, OH / MOTHER, 2017. Cast concrete. Dimensions variable. Photographer: Nici Jost.
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Charlie Godet Thomas, OH / MOTHER, 2017. Cast concrete. Dimensions variable. Photographer: Nici Jost.
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Charlie Godet Thomas, FRIEND / END, 2017. Unique. Cast concrete. Dimensions variable. Photographer: Nici Jost.
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Charlie Godet Thomas, FRIEND / END, 2017. Unique. Cast concrete. Dimensions variable. Photographer: Nici Jost.
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Charlie Godet Thomas, A Sinatra Dinner Show, 2017. Installation. Video, 2.1 sound (00:02:02), collaged timber, speaker fabric. Photographer: Nici Jost.
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Charlie Godet Thomas, A Sinatra Dinner Show, 2017. Installation. Video, 2.1 sound (00:02:02), collaged timber, speaker fabric. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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Charlie Godet Thomas, Roman-fleuve, 2017. Installation view. VITRINE, Basel. Photographer: Nici Jost.
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‘Sunlit’ are new works from an on-going series of cast silicon wall pieces developed since 2014. These works are a means by which archived photographic images can be “reanimated”, Thomas attempts to undo the flatness of the original prints, transmogrifying them into something akin to the rhythm of words on a page. In this instance, all of the images are drawn from a set capturing the play of light on different surfaces and are titled after fragments of lines from T.S Elliot’s ‘The Wasteland’ which itself contains multiple depictions of light and dappling.

The literary notions of flow and punctuation, as well as those of positive and negative space play a central role in Thomas’ practice. These ideas are exemplified in both the aforementioned ‘Sunlit’ works, as well as the series ‘Lines Written for and by’ in which wooden dowels are held in stasis in the “pages” of the city environment. Thomas’ preoccupation with cadence extends out further through the way in which works are placed, or structures built to punctuate the space of the gallery itself.

With ‘Elegies’, Thomas explores the use of existing language and signage as a writing system for poetry. Drawing from a catalogue of available Oasis® funeral foam letters, Thomas creates two word poems comprised of the original (now absent) word, and a new second word made by removing certain letters. “MOTHER” is reduced to “_O_H__“ and “FRIEND” to “___END”. The letters are cast in concrete and wall-mounted, their missing characters lie on the floor underneath reduced to rubble. Despite the intended function of these foam letter-objects, the works have a humorous quality that contradict the macabre banality of the originals. Thomas presents us with what are perhaps the shortest tragicomedies it is possible to write.

Throughout Thomas’ practice, text can also be found in a less physical form. In audio and video works he sources and re-presents found texts, projecting the words into a space of contemplation and stillness for the listener away from the context in which they were originally situated. For ‘Roman–fleuve’, Thomas has created a sound installation which employs a sense of dismay at the way in which images, objects, living matter and language are appropriated by advertising as a means of perpetuating a false image to the consumer, viewer or visitor. Speakers stand tall in the exhibition space covered with a printed fabric mesh, seemingly as a restating of Thomas’ determination to sit on the periphery of sculpture, sound, moving image and text.

Curator: Alys Williams.

Generously supported by The Eaton Fund.

Charlie Godet Thomas (b.1985, London. British-Bermudian) lives and works between London and Mexico City, MX. He studied a BA in Fine Art (Sculpture) at Manchester School of Art (2009) and an MA in Fine Art (Sculpture) at the Royal College of Art, London (2014), where he was awarded the Bermuda Arts Council Scholarship and the Peter Leitner Scholarship.

Thomas has been exhibited internationally at galleries, institutions, biennials and fairs, including: BALTIC Centre for Contemporary Art, Gateshead, UK; Bermuda Biennial, The Bermuda National Gallery, BM; Ladrón galería, Mexico City, MX; Carillon Gallery, Texas, US; VITRINE, London, UK; Paradise Works, Manchester, UK; Bloc Projects, Sheffield, UK; Cactus, Liverpool, UK; Home-Platform, Bristol, UK; Telfer Gallery, Glasgow, UK; RCA/ ECA Edinburgh Sculpture Court, Edinburgh, UK; POPPOSITIONS, Brussels, BE; The Manchester Contemporary, Manchester, UK.

Residencies include: Caribbean Linked IV at Ateliers ’89 in Oranjestad, Aruba (2016); Tarrant County College, Fort Worth, Texas, US (2017); and Atelier Mondial, Basel, CH (2017).

Thomas is currently working on a commission for SCULPTURE AT Bermondsey Square, London, 2017.

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