Tarek Lakhrissi is a French artist and poet with a background in literature. He works across installation, performance, film, text and sculpture, engaging with political and social issues around transformative narratives within language, magic, weirdness, codes and love.
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His background in literature draws influence from feminist and queer writers, such as Elsa Dorlin, Jean Genet, Monique Wittig and José Esteban Muñoz, providing his work with a romantic atmosphere. Each project Lakhrissi initiates derives from text, poetry and language, which are his primary obsessions, before translating ideas from these mediums into the visual arts. His profound use of language engages with performativity and reflects on poetic, erotic and nostalgic queer futures.
Lakhrissi is interested in modes of defence which are portrayed within his sculptural works. His work questions how to defend oneself, particularly individuals or groups who are marginalised and persecuted, in order to maintain one's identity and reflect on a desire to stay alive and be unapologetic. Throughout his work, he maintains his own identity by involving signifiers of pop culture; a soundtrack to a 90’s TV show or a small aesthetic gesture towards ‘Xena: Warrior Princess’.
Identity feeds into his work in film where apocalyptic narratives around freedom and being liberated are played out. As described by Curator Shelley McSpedden, his recent film ‘Out of the Blue’ (2019) is set in “a radical moment in time, when established political, economic and cultural structures are under imminent threat from alien invasion. Rather than presenting this as an apocalyptic vision, Lakhrissi’s film meditates on the nature of transition itself.”
Tarek Lakhrissi (b. 1992, Châtellerault, FR) is based in Paris, FR. He holds a BA in Literature and Theatre from Paris III Sorbonne-Nouvelle, FR and an MA in History of Art and Theatre from the University of Montreal, CA. He has been nominated for the Matsutani Occident 2019 Prize and the PSC Art Prize.
Lakhrissi has had international solo presentations at museums and galleries including: Fondazione Sandretto Re Rebaudengo, Turin, IT; MOSTYN, Llandudno, UK; Centre d’Art Contemporain, Noisy-Le-Sec, FR; VITRINE, London, UK; KevinSpace, Vienna, AT; Zabriskie, Genève, CH.
Further group exhibitions at galleries, museums and biennials internationally include: Palais de Tokyo, Paris, FR; Wiels, Brussels, BE; NIRIN 22nd Biennale of Sydney, Museum of Contemporary Art Australia, Sydney, AU; Baltic Triennial 13, Contemporary Art Centre, Riga, LV & CAC, Vilnius, LT; Foundation Ricard, Paris, FR; Manchester International Festival, HOME, UK; CRAC Alsace, Altkirch, FR; Hayward Gallery, London, UK; Het Hem, Amsterdam, NL; Shedhalle, Zurich, CH; CAC Brétigny, Brétigny-sur-Orge, FR; Maison Populaire, Montreuil, FR; Centre Wallonie Bruxelles, Paris, FR; Centre for Contemporary Art FUTURA, Prague, CZ ; Musée D’Art Contemporain, Haute-Vienna, FR; Fondation Calouste Gulbenkian, Paris, FR; Auto Italia South East, London, UK; Fondation Lafayette Anticipations, Paris, FR; L’Espace Arlaud, Lausanne, CH; Palazzo delle Esposizioni, Rome, IT; Kling&Bang, Reykjavik, IS; FRAC Lorraine, FR; One Gee in Fog, Geneva, CH; Horst Festival, Brussels/Vilvoorde, BE; VEDA, Florence, IT; Le Familistère de Guise, FR.
Residencies include: Maison Populaire, Montreuil, FR (2020-21); Wiels, Brussels, BE (2020); Workspace, Brussels, BE (2020&19); Sophiensaele, Berlin, DE (2020); CND, Pantin, FR (2020); Bundanon Trust, Illaroo, AU (2019); Artspace, Sydney, AU (2019); Kunstencentrum Buda, Courtrai (BE).
Lakhrissi is currently exhibiting in 'A, letter', a duo show with Charlie Godet Thomas, which is a VITRINE Satellite exhibition at Ballon Rouge, Brussels, BE (until 11 December 2021) and 'Poet Slash Artist' at Kunsthal Charlottenborg, which was originally commissioned and produced by the Manchester International Festival (MIF) and HOME in July 2021, and is now shown in a new version across Denmark. Upcoming exhibitions include 'Echo' at Haus der Kunst, Munich, DE (March 2022).
He was shortlisted for the 22nd Foundation Pernod Ricard Prize 2021 and been nominated by Hans Ulrich Obrist for the Zürich Art Prize 2022.
