Tarek Lakhrissi

Tarek Lakhrissi is a French artist and poet with a background in literature. He works across installation, performance, film, text and sculpture, engaging with political and social issues around transformative narratives within language, magic, weirdness, codes and love.

Tarek Lakhrissi, Unfinished Sentence II, 2020. Installation of 30 metal spears and performance with chains, colour filter, loud speakers. MOSTYN, Llandudno, UK. Photographer: Mark Blower.
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Tarek Lakhrissi, Unfinished Sentence II, 2020. Installation of 30 metal spears and performance with chains, colour filter, loud speakers. MOSTYN, Llandudno, UK. Photographer: Mark Blower.
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Tarek Lakhrissi, My Immortal, 2021. Installation view. MOSTYN, Llandudno, UK. Photographer: Mark Blower.
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Tarek Lakhrissi, Home, 2021. Aluminium. 110 x 70 x 0.5 cm. Photographer: Mark Blower.
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Tarek Lakhrissi, BETRAYING TIME AND SPACE, 2021. Steel and steel chains. 65 x 8 cm. Photographer: Jonathan Bassett.
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Tarek Lakhrissi, BETRAYING MY NAME, 2021. Steel and steel chains. 47 x 18 x 0.5 cm. Photographer: Jonathan Bassett.
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Tarek Lakhrissi, BETRAYING THE MOON, 2021. Steel and steel chains. 34 x 40 x 0.5 cm. Photographer: Jonathan Bassett.
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Tarek Lakhrissi, The Art of Losing (extract) and Frame for The Art of Losing, 2021. HD single channel video and metal frame. 00:01:35 and 144 x 98 x 45 cm. Installation view at Maison Populaire, Montreuil, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, The Art of Losing (extract) and Frame for The Art of Losing, 2021. HD single channel video and metal frame. 00:01:35 and 144 x 98 x 45 cm. Installation view at Maison Populaire, Montreuil, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, This Doesn’t Belong to Me, 2020. Polyurethane, metal core, epoxy resin, chains, black earth. FRAC Lorraine, Metz, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, This Doesn’t Belong to Me, 2020. Polyurethane, metal core, epoxy resin, chains, black earth. FRAC Lorraine, Metz, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, This Doesn’t Belong to Me, 2020. Polyurethane, metal core, epoxy resin, chains, black earth. FRAC Lorraine, Metz, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, Unfinished Sentence II, 2020. Installation of 30 metal spears and performance with chains, colour filter, loud speakers. Palais de Tokyo, Paris, FR. Photography: Aurélien Mole.
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Tarek Lakhrissi, Unfinished Sentence II, 2020. Installation of 30 metal spears and performance with chains, colour filter, loud speakers. Palais de Tokyo, Paris, FR. Photography: Aurélien Mole.
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Tarek Lakhrissi, Unfinished Sentence II, 2020. Installation of 30 metal spears and performance with chains, colour filter, loud speakers. Palais de Tokyo, Paris, FR. Photography: Aurélien Mole.
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Tarek Lakhrissi, Unfinished Sentence II, 2020. Installation of 30 metal spears and performance with chains, colour filter, loud speakers. Palais de Tokyo, Paris, FR. Photography: Aurélien Mole.
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Tarek Lakhrissi, Sick Sad World, 2020. Installation in collaboration with Theo Demans and performance with wood, styrofoam, fabric, metal, polyether foam, polyurethan, pigments, acrylic plaster. Wiels, Brussels, BE. Photography: Philippe De Gober.
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Tarek Lakhrissi, Sick Sad World, 2020. Installation in collaboration with Theo Demans and performance with wood, styrofoam, fabric, metal, polyether foam, polyurethan, pigments, acrylic plaster. Wiels, Brussels, BE. Photography: Philippe De Gober.
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Tarek Lakhrissi, Sick Sad World, 2020. Installation in collaboration with Theo Demans and performance with wood, styrofoam, fabric, metal, polyether foam, polyurethan, pigments, acrylic plaster. Wiels, Brussels, BE. Photography: Philippe De Gober.
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Tarek Lakhrissi, This Doesn’t Belong to Me, 2020. Polyurethane, metal core, epoxy resin, chains, black earth. Fondazione Sandretto Re Rebaudengo, Turin, IT. Photographer: Domenico Conte.
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Tarek Lakhrissi, This Doesn’t Belong to Me, 2020. Polyurethane, metal core, epoxy resin, chains, black earth. Fondazione Sandretto Re Rebaudengo, Turin, IT. Photographer: Domenico Conte.
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Tarek Lakhrissi, This Doesn’t Belong to Me, 2020. Polyurethane, metal core, epoxy resin, chains, black earth. Fondazione Sandretto Re Rebaudengo, Turin, IT. Photographer: Domenico Conte.
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Tarek Lakhrissi, This Doesn’t Belong to Me, 2020. Polyurethane, metal core, epoxy resin, chains, black earth. Fondazione Sandretto Re Rebaudengo, Turin, IT. Photographer: Domenico Conte.
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Tarek Lakhrissi, Apocalyptic posters, 2020. Commissioned by Auto Italia South East, London, UK. In collaboration with Martin Desinde.
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Tarek Lakhrissi, Apocalyptic posters, 2020. Commissioned by Auto Italia South East, London, UK. In collaboration with Martin Desinde.
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Tarek Lakhrissi, Unfinished Sentence, 2019. 10 metal spears, chains, colour filter, loud speakers. CRAC Alsace, Altkirch, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, Unfinished Sentence, 2019. 10 metal spears, chains, colour filter, loud speakers. CRAC Alsace, Altkirch, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, Unfinished Sentence, 2019. 10 metal spears, chains, colour filter, loud speakers. CRAC Alsace, Altkirch, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, Unfinished Sentence, 2019. 10 metal spears, chains, colour filter, loud speakers. CRAC Alsace, Altkirch, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, Unfinished Sentence, 2019. 10 metal spears, chains, colour filter, loud speakers. CRAC Alsace, Altkirch, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, Unfinished Sentence, 2019. 10 metal spears, chains, colour filter, loud speakers. CRAC Alsace, Altkirch, FR. Photographer: Aurélien Mole.
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Tarek Lakhrissi, Serpent Dream, 2019. Installation with fabric, chains and vinyl. Zabriskie, Genève, CH. Photography: Etienne Chosson.
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Tarek Lakhrissi, Serpent Dream, 2019. Installation with fabric, chains and vinyl. Zabriskie, Genève, CH. Photography: Etienne Chosson.
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Tarek Lakhrissi, Serpent Dream, 2019. Installation with fabric, chains and vinyl. Zabriskie, Genève, CH. Photography: Etienne Chosson.
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Tarek Lakhrissi, Serpent Dream, 2019. Installation with fabric, chains and vinyl. Zabriskie, Genève, CH. Photography: Etienne Chosson.
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Tarek Lakhrissi, different alibis, 2019. Performance with Harilay Rabenjamina, Christelle Oyiri ad Ndayé Kouagou. 01:00:00. Auto Italia South East, London, UK. Photographer: Katarzyna Perlak.
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Tarek Lakhrissi, looks like nobody is taking care of the plants (part II), 2019. Performance with screen video, speaker, tapestry, lavender. 00:25:00. Photography: Anne Vimeux.
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Tarek Lakhrissi, i see you now, 2018. Latex, vinyl letters, pottery. Dimensions variable. DOC!, Paris, FR. Photography: Paul Nicoué.
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Tarek Lakhrissi, My Immortal, 2021. Installation view. MOSTYN, Llandudno, UK. Photographer: Mark Blower.
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Tarek Lakhrissi, My Immortal, 2021. Installation view. MOSTYN, Llandudno, UK. Photographer: Mark Blower.
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Tarek Lakhrissi, My Immortal, 2021. Installation view. MOSTYN, Llandudno, UK. Photographer: Mark Blower.
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Tarek Lakhrissi, My Immortal, 2021. Installation view. MOSTYN, Llandudno, UK. Photographer: Mark Blower.
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Tarek Lakhrissi, My Immortal, 2021. Installation view. MOSTYN, Llandudno, UK. Photographer: Mark Blower.
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Tarek Lakhrissi, My Immortal, 2021. Installation view. MOSTYN, Llandudno, UK. Photographer: Mark Blower.
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Tarek Lakhrissi, Flying on the raven’s wing, 2021. Installation view. HORST Festival, Brussels, BE. Photographer: Illias Teirlinck.
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Tarek Lakhrissi, Flying on the raven’s wing, 2021. Installation view. HORST Festival, Brussels, BE. Photographer: Illias Teirlinck.
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Tarek Lakhrissi, Perfume of Traitors, 2021. Installation view.  VITRINE, London. Photographer: Jonathan Bassett.
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Tarek Lakhrissi, Perfume of Traitors, 2021. Installation view.  VITRINE, London. Photographer: Jonathan Bassett.
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Tarek Lakhrissi, Perfume of Traitors, 2021. Installation view.  VITRINE, London. Photographer: Jonathan Bassett.
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Tarek Lakhrissi, Perfume of Traitors, 2021. Installation view.  VITRINE, London. Photographer: Jonathan Bassett.
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Tarek Lakhrissi, Perfume of Traitors, 2021. Installation view.  VITRINE, London. Photographer: Jonathan Bassett.
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Tarek Lakhrissi, Sick Sad World, 2020. Installation view. Wiels, Brussels, BE. Photography: Philippe De Gober.
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Tarek Lakhrissi, Caméléon Club, 2019. Installation view. La Galerie CAC, Noisy-Le-Sec, FR. Photography: Pierre Antoine.
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Tarek Lakhrissi, Caméléon Club, 2019. Installation view. La Galerie CAC, Noisy-Le-Sec, FR. Photography: Pierre Antoine.
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Tarek Lakhrissi, Caméléon Club, 2019. Installation view. La Galerie CAC, Noisy-Le-Sec, FR. Photography: Pierre Antoine.
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Tarek Lakhrissi, Caméléon Club, 2019. Installation view. La Galerie CAC, Noisy-Le-Sec, FR. Photography: Pierre Antoine.
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Tarek Lakhrissi, Hard to Love, 2018. Installation view. Baltic Triennal 13, Kim? Contemporary Art Centre, Riga, LV.
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His background in literature draws influence from feminist and queer writers, such as Elsa Dorlin, Jean Genet, Monique Wittig and José Esteban Muñoz, providing his work with a romantic atmosphere. Each project Lakhrissi initiates derives from text, poetry and language, which are his primary obsessions, before translating ideas from these mediums into the visual arts. His profound use of language engages with performativity and reflects on poetic, erotic and nostalgic queer futures.

Lakhrissi is interested in modes of defence which are portrayed within his sculptural works. His work questions how to defend oneself, particularly individuals or groups who are marginalised and persecuted, in order to maintain one's identity and reflect on a desire to stay alive and be unapologetic. Throughout his work, he maintains his own identity by involving signifiers of pop culture; a soundtrack to a 90’s TV show or a small aesthetic gesture towards ‘Xena: Warrior Princess’.

Identity feeds into his work in film where apocalyptic narratives around freedom and being liberated are played out. As described by Curator Shelley McSpedden, his recent film ‘Out of the Blue’ (2019) is set in “a radical moment in time, when established political, economic and cultural structures are under imminent threat from alien invasion. Rather than presenting this as an apocalyptic vision, Lakhrissi’s film meditates on the nature of transition itself.”

Tarek Lakhrissi (b. 1992, Châtellerault, FR) is based between Paris, FR and Brussels, BE. He holds a degree in literature from Paris III Sorbonne-Nouvelle, FR and an MA in History of Art from the University of Montreal, CA. He has been nominated for the Matsutani Occident 2019 Prize and the PSC Art Prize. Lakhrissi has had international solo presentations at museums and galleries including: Fondazione Sandretto Re Rebaudengo, Turin, IT; Zabriskie, Genève, CH; Centre d’Art Contemporain, Noisy-Le-Sec, FR.

Further group exhibitions at galleries, museums and biennials internationally including: Palais de Tokyo, Paris, FR; Wiels, Brussels, BE; NIRIN 22nd Biennale of Sydney, Museum of Contemporary Art Australia, Sydney, AU; Baltic Triennial 13, Contemporary Art Centre, Riga, LV & CAC, Vilnius, LT; FIAC, Grand Palais, Paris, FR; CRAC Alsace, Altkirch, FR; Hayward Gallery, London, UK; Het Hem, Amsterdam, NL; CAC Brétigny, Brétigny-sur-Orge, FR; Maison Populaire, Montreuil, FR; Centre Wallonie Bruxelles, Paris, FR; Musée D’Art Contemporain, Haute-Vienna, FR; Fondation Calouste Gulbenkian, Paris, FR; Auto Italia South East, London, UK; Fondation Lafayette Anticipations, Paris, FR; L’Espace Arlaud, Lausanne, CH; Palazzo delle Esposizioni, Rome, IT; Kling&Bang, Reykjavik, IS.

Residencies include: Maison Populaire, Montreuil, FR (2020-21); Wiels, Brussels, BE (2020); Workspace, Brussels, BE (2020&19); Sophiensaele, Berlin, DE (2020); CND, Pantin, FR (2020); Bundanon Trust, Illaroo, AU (2019); Artspace, Sydney, AU (2019); Kunstencentrum Buda, Courtrai (BE).

Lakhrissi is currently exhibiting in his first solo show in the UK 'Perfume of Traitors' at VITRINE, London. Further current exhibitions include the solo show 'My Immortal' at MOSTYN, Llandudno, UK (until September 2021); 'À plusieurs' at FRAC Lorraine, FR (until August 2021); 'Poet Slash Artist' at Manchester International Festival, HOME,UK (until August 2021);  Horst Festival, Brussels/Vilvoorde, BE (until September 2021). Upcoming exhibitions include a solo presentation for Liste Showtime with VITRINE, Liste, Online; 'The shape of Futuros', One Gee Fog, Geneva, CH; 'Bonaventure', Fondation Ricard, Paris, FR; Ordained, Horny & Horned, VEDA, Firenze, IT; KevinSpace, Vienna, AT; Shedhalle, Zurich, CH; Haus der Kunst, Munich, DE; 'Breaking Translations', HANGAR, Online. He has been shortlisted for the 22nd Foundation Pernod Ricard Prize 2021 and will be exhibiting his work 'Sick Sad World' in 'Bonaventure (tampering with worlds)' at Foundation Ricard, Paris, FR (7 July 2021).

Tarek Lakhrissi, Out of the Blue (Trailer), 2019
Trailer of Tarek Lakhrissi's film 'Out of the Blue' 2019.
2019
Tarek Lakhrissi, innocence is blocking me, 2019
Excerpt from tarek Lakhrissi's performance 'innocence is blocking me' at Hayward Gallery, London, UK in 2019.
2019
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