ZOUCH Magazine have published a review of ‘Yesterday’s labour is the future’s folly’, Clare Kenny’s solo show at VITRINE Bermondsey Street. “In ‘Yesterday’s labour is the Future’s folly’, anecdotes and memories from the artists’ life, both real and fabricated, combine with material manipulations that question substance and subject.” Read more here.
Clare Kenny’s exhibtion has been reviewed by FAD by Kimberley Brown – ‘The Vitrine exhibition combines wall-based works, free standing sculpture and mounted objects, permitting enthused spectatorship, whilst also commenting upon materialism, material values in art and the truth of representation.’ Read more.
Clare Kenny has been interviewed by Traction Magazine for their Autumn Report. Kenny discusses her current show at VITRINE Bermondsey Street and states – ‘It was exciting to be the first as there are no preconceived ideas on how to use the space, no previous shows to compare to.’ Read more.
Christian Newby’s exhibition ‘Breton Wall’ has been featured in WSI Magazine – Newby consistently plays with nuance by utilising familiar filmic and historical vantage points – echoing interior settings and the arrangement of objects to imply narratives only to be concluded by the viewer. Read more.
This month John Walter will be participating in ‘Jack Smith and the Ugliness of Capitalism’ a panel discussion complementing the exhibition ‘Jack Smith: Cologne, 1974’, hosted by Space in Hackney.
Image Credit: Jack Smith: Cologne, 1974. Photograph, Gwenn Thomas
Extending its support to the galleries, curators and artists of London and New York, FAD now hands them its front page for a series of online exhibitions. For November, FAD showcases John Walter’s piece ‘Crystal Dick’. Watch the video here: FAD website.
Clare Kenny has been awarded a Kunstkredit prize from the city of Basel in Switzerland, which includes a prize of £10,000 and a group exhibition to take place next summer at Kunsthalle Basel to be curated by Ruth Kissling und Adam Szymczyk. More information.
Paul Carey-Kent has featured Clare Kenny’s VITRINE Bermondsey Street exhibition ‘Yesterday’s labour is the Future’s folly’ in his November highlights- ‘Clare Kenny is first to show in Vitrine’s new street level space, and she’s already plastered the pristine wall with faux bricks and added a column made of a giant rolled-up photograph’. Read more.