Clare Kenny has works selected in the group exhibition ‘Catch of the Year 2017’ at Dienstgebäude, Zurich, Switzerland, which will open Saturday 25 November 2017. More info here.
“A roman-fleuve is an ongoing, ambitious narrative; this exhibition frames a moment in a continuum, and some bright objects crystallize. Short, sweet words and gestures—OH—that can overcome the mass of impressions of an everyday city. Thus employed, VITRINE Basel does not define the city’s powers but enables countermovement.”
Review of Charlie Godet Thomas’ “Roman-fleuve” in Art Agenda. Great words about the show and VITRINE’s gallery model. Read more here.
“Roman-fleuve” runs until 3 December at VITRINE, Basel.
Nadim Abbas’ solo exhibition at Last Tango, Zurich, CH, will open 8 December 2017. More info here.
An exhibition bringing together work by current and recent international Atelier Mondial (Basel, CH) artists-in-residence: Eduardo Navarro (Buenos Aires, Argentina), Yornel Martinez (Havana, Cuba), Brad Rimmer (Fremantle, Australia), Cao Shu (Shanghai, China), and Charlie Godet Thomas (London, UK). Curated by Alys Williams (VITRINE London / Basel), this exhibition brings about an opportunity for international artistic dialogue and exchange; important qualities in the ethos of both organisations. Read more here.
Juliet Art includes VITRINE’s booth in her Artissima round up describing “Edwin Burdis’ gestural still-lifes like corrupt pixel magnifications” in relation to the range and sophistication of painting throughout the fair. Read more here.
“Wil Murray shadow-boxes with painting and photography in The Onlyes Power is No Power, on display in London until Jan. 2. His installation extends the viewing experience, taking advantage of the unusual space and experimental focus of Vitrine, a long, shallow window gallery. Murray painted black acrylic brushstrokes on the windows that enclose and frame his work. They cast shadows into the display space while echoing the process he used to create his five large photographic prints. These works, shaped by their own inherent brushstrokes, are handsome graphic objects with a baroque sense of overlapping histories, techniques and aesthetics.”
Wil Murray featured in Galleries West. Read more here.
Artnet featuring our solo booth of Edwin Burdis in Artissima fair round up. Read more here.