Grist To The Mill
Aluminium, motor, bearings, steel, paint, pigment ink.
95 x 260 x 25 cm.
Photographer Jonathan Bassett.
A solo exhibition by the artist Sam Porritt. He will show a new work titled ‘Grist To The Mill’ that combines his work in sculpture and drawing.
With ‘Grist To The Mill’ Porritt touches on the interconnected ideas of growth and progress, how they relate to the individual and by extension the society in which they exist. The title ‘Grist To The Mill’ is an idiom that is synonymous with capitalism, meaning at its simplest that ‘everything can be turned for profit’. At the same time it invokes a sense of being enmeshed in a relentless process that we are powerless to arrest.
The sculpture consists of a series of large interconnected cogs featuring drawings of faces that endlessly turn on each other, the expressions of the faces appearing to comment on their own sorry predicament. The work rests on the relationship between the steady grinding of the cogs and the expressive, swiftly drawn lines of the faces. As Joanna Fiduccia described in ‘The Swift Face’ – an essay published in a book of Porritt’s drawings – “The face is swift on two accounts: quick to announce itself in the world, and quick to change its aspect. Expressions flash up, flicker across, crash over the surface of the face like a wave.“
Appropriately on show at this moment of political and economic uncertainty, ‘Grist To The Mill’ succinctly sums up what it is to be at the mercy of our times, hostage to our own biology and subject to external forces beyond our control.
‘Grist to the Mill’ is generously supported by Arts Council England and Swiss Cultural Fund UK.
Sam Porritt (b. 1979, London, UK. Lives and works in Zurich, Switzerland) graduated with a BFA in sculpture from the Chelsea School of Art and Design (2002). In 2005 he received his Post Graduate Diploma from the Royal Academy Schools, London. Recent exhibitions include: ‘Hidden In Plain Sight’ (with Fabio Marco Pirovino), Futta, Rome, IT (2016); ‘Falling Gets Me Down’, Naming Rights, London, UK (2015); ‘The More Your Look, The More You Look’, 100 plus, Zurich, CH (2014); ‘Captive Audience’, MOK, Rotterdam, NL (2013); ‘Heads & Faces’, PEER, London, UK (2013); and, ‘Going Forward…’ Anne Mosserie-Marlio Gallery, Zurich, CH (2013). Recent group exhibitions include: ‘Being Boring’, Living Art Museum, Reykjavik, IS (2016); ‘A Journey from a sweeping gesture to a lasting effect’, VITRINE, Basel, CH (2016); ‘L’Hospice des Mille-Cuisses’ CAN, Neuchâtel, CH (2015). ’Pleasure Principles’ (cur. Library Plus), Foundation d’entreprise Galeries Lafayette, Paris, FR (2014); ‘The Red Queen’ MONA, Tasmania, AUS (2013); ‘The Curators Egg’ Anthony Reynolds Gallery, London, UK (2012).