Frittering away the last puddle from the bottom of a dry well, 2016
And these children that you spit on, 2016
Artissima 2016, documentation video
Duration 1 min 45 sec
Jamie Fitzpatrick’s practice deals with the rhetoric of image making, the relevance of the figure and how objects and totemic gestures such as flags, statues or plinths are used within the work to impose forms of power and control. The sculptures are influenced by Wilhelm Reich’s ideas on power-infatuation, cultural conditioning and sexual suppression, the works are built from foam, coloured wax, alpha plaster, scrim, wood, gold leaf, and simply some transgressive act.
Frieze Magazine described Fitzpatrick’s aesthetic “a mash-up of Paul McCarthy and Phyllida Barlow,” and indeed, his sculptures are dynamic and bold. Fitzpatrick brings play and nuance to the motifs of authority and prestige creating works (and worlds) that question positional and hierarchical constructs by remaking and resurfacing narrative objects, his work places the viewer in an ever-shifting position between subordination and empowerment.
By employing the motifs of figurative art, patriarchal depictions of masculinity and nationhood, Fitzpatrick’s domineering sculptures express intention of undermining them, rendering them absurd and dumb. To bring these themes to life, Fitzpatrick uses performance and movement, transforming his sculptors into both actors and sets. He is recently introduced temporal considerations as a means of further undermining the arrogance of permanence in monumental figures.
Jamie Fitzpatrick (b.1985, Southport, UK) lives and works in London. He graduated in 2015 with an MA in Sculpture from the Royal College of Art, having gained a BA (Hons) in Fine Art, Philosophy and Contemporary Practice in 2009 from Duncan of Jordanstone College of Art, Dundee. Awards include: Vordemberge-Gildewart Award (2016), shortlist; XL Catlin Art Prize (2016); UK/RAINE Saatchi Gallery Sculpture Prize (2015); New Contemporaries (2015 and 2016); Cowley Manor, Shortlisted, Cheltenham (2015); LAND Securities Award (2015); Sidney Perry Foundation (2013 & 2015); Mijoda Trust (2014); Dundee Visual Artist Award Bursary (2009); Wasps Studio Prize, Dundee (2009); and George Duncan of Drumfork Scholarship (2008).
He has had solo exhibitions at Exeter Phoenix, UK (2018), VITRINE, Basel, CH (2018) and London, UK (2016); ARTISSIMA, Turin, IT (2016); Telfer Gallery, Glasgow, UK (2012); and Hancock Museum, Newcastle, UK (2011). Fitzpatrick also had a solo presentation by VITRINE at POPPOSITIONS 2019.
He has been exhibited internationally in group exhibitions including ICA, London, UK; Camden Arts Centre, London, UK; Saatchi Gallery, London, UK; Sheffield Museum, Sheffield, UK; Castlefield gallery, Manchester, UK; Bluecoat, Liverpool, UK; Backlit, Nottingham, UK; Pangaea Sculptor’s Centre, London, UK; Cowley Manor Sculpture Garden, Cheltenham, UK; Royal Scottish Academy, Edinburgh, UK; Kelvingrove Museum, Glasgow, UK; Litóst gallery in Prague, CZ; and Cassina Projects with ARTUNER, New York, US.
Residencies include: Eastside International Los Angeles Residency (US, 2017), Biruchiy contemporary art project with the British Council (Ukraine, 2016); Pangaea Sculptors’ Centre, London (2015); The Leatherseller’s Company (2014); Telfer Gallery, Glasgow (2012); John Kinross Scholarship, Florence, Italy (2010); Cite International des Arts, Paris Residency (2014); and Scottish Sculpture Workshop (2009).
Fitzpatrick is currently being exhibited in the group show ‘Out of Office’ at PADA Lisbon (May-June 2019). He will have his first UK institutional solo show at Touchstones, Rochdale Museum, UK, opening October 2019.